TRIM: Set how hard the signal hits the reverb. The dry signal is not affected. SIZE: Set the size of the space. PRE-DELAY: Add a gap before the reverb starts. CONTOUR: Shape the early reflections. Left is a tight attack, right is a slow bloom. SPAN: Set how spread out the early reflections are. DENSITY: Set how many reflections you hear. Left is sparse, right is a dense wash. MIX: Balance the dry signal against the reverb. LEVEL: Set the output level. LOW: Set the decay time of the low end. At the top, it holds forever. MID: Set the decay time of the mids. At the top, the reverb holds as a drone. HIGH: Set the decay time of the high end. Shorter is darker. At the top, it holds forever. XOVER LO: Set where the low band ends. XOVER HI: Set where the high band begins. DEPTH: Add movement to the tail to keep it lush. SOFTEN: Tame ringing frequencies in the reverb. Fully counter-clockwise is off. LEVEL: Set the level of the early reflections. EXCITE: Feed the early reflections into the tail, so CONTOUR and SPAN shape it too. SHIFT: Set voice 1's interval. +12 is the classic shimmer. LEVEL: Set voice 1's level. In LOOP, it sets how fast the shimmer climbs. DRIVE: Add saturation to voice 1. It also keeps the shimmer from building too much. SHIFT: Set voice 2's interval. An octave down adds a low bed under the shimmer. LEVEL: Set voice 2's level. DRIVE: Add saturation to voice 2. RISE: Make the pitched voices fade in after each note. Fully counter-clockwise is off. TIME: Set how long the morph takes, in seconds. TIME: Set the length of each reversed section. ATTACK: Fade the edges of each reversed section. Zero is a hard swell and stop. BLEND: Blend the reversed sound with the normal sound. OFF · INPUT · TAIL: OFF plays normally. INPUT reverses what goes into the reverb. TAIL reverses the reverb's tail. The dry signal is never reversed. SYNC: Set the reversed sections in note divisions of the tempo. LO DRIVE: Drive the reverb's low band. Zero is off. HI DRIVE: Drive the reverb's high band. Zero is off. CROSSOVER: Set where the two drive bands split. THRSH: Set the input level where the reverb starts to duck. AMT: Set how much the reverb ducks. Zero is off. LINK: Move both drives together, keeping their spacing. MORPH PAD: Drag to morph between A and B. Drag the lettered circles to set where a transition starts and ends. Double-click a circle to reset it. GO: Run the morph to the opposite corner over TIME. Press again to go back. GATE · SYNC · MAN: Choose what moves the morph. GATE follows your playing. SYNC follows the tempo. MAN is the pad and GO. SET B: Edit B. While it blinks, every control sets B. Press again to return to A. COPY A → B: Copy A into B as a starting point. SET CURRENT POSITION AS A: Save the current sound as A. SET CURRENT POSITION AS B: Save the current sound as B. ST · MO: ST gives each side its own reverb image. MO sends one image to both. KILL DRY: Mute the dry signal for use on a send. MIX is ignored. LIMIT: Cap the output level. Drones pass untouched. LINK: Link the three decay knobs so they move together. LOOP · INPUT: LOOP shifts the reverb's own sound, so the shimmer keeps climbing. INPUT shifts what you play once, before the reverb. ENGAGE: Turn the pitch shifting on or off. SOLO: The reverb hears only the pitched voices. Needs ENGAGE. AUTO · MAN: AUTO adds a slow, random movement. MAN lets you set the shape and RATE. COLLAPSE: Show or hide the expanded controls. LOW CUT: Cut lows from what goes into the reverb: off, 90 Hz, or 180 Hz. HIGH CUT: Cut highs from what goes into the reverb: off, 10 kHz, or 2 kHz. DECAY DISPLAY: Shows each band's decay. Drag an arrow to set it.